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This summer on KUOW we've broadcast many stories about one street corner.

23rd and East Union is near the geographical center of Seattle. Cars flow through this intersection, on a straight shot to downtown, the University District, Lake Washington and Rainier Valley.

It's just one corner in one Seattle neighborhood, the Central District. Like other neighborhoods in this city, it's changing fast. Newcomers have moved in, and housing prices have gone up. Now neighbors are grappling with the change.

KUOW's Jenny Asarnow and a team of multimedia artists set out to create an experiment in community story telling. Their project is called The Corner. It's a radio documentary created WITH the people who make 23rd and Union part of their lives.

In June, The Corner opened up a phone line and asked people to call in and share their stories. Callers left messages. Their stories collectively depict a rich and complicated point on the map.

Caller: "Hi, my name's Bob. I wouldn't go near 23rd and Union if- No way I'd go near there!""

23rd and Union is often talked about as a place to fear. Boarded up buildings live there. So do memories of violent drug deals gone wrong and police shootings. It's like a ghost corner.

But lurking beneath is a rich history.

Today we reveal life on 23rd and Union in the decades before and after World War II. In those years, the Central District was a working class neighborhood. Increasingly, it became the center of Seattle's growing African American community. And the corner - 23rd and Union - was the neighborhood's hub.

Caller: "23rd and Union."
Caller: "When I think of 23rd and Union-"
Caller: "When I think of 23rd and Union, I think of, uh -"
Caller: "I think about -"

Jack Richlen: "I don't know, I just liked it up there. I felt very much -"

Caller: "I think about home."

Richlen: "Home. I felt very much at home.

[beep]

Richlen: "Hello there. My name is Jack Richlen. I was a member of the community in 23rd and East Union for 57 years. We moved to Seattle in 1934, the September the first. My parents were from Russia. And my mother kept a nice home and a Kosher home. And paid 25 dollars a month for the rent. Anyway."

Caller: "I lived on 23rd and Union in around 1935. Now, those were good years and I remember them very vividly."

Richlen: "The neighborhood when we moved in 1934 was predominantly Jewish. They had the Kosher meat markets. We had a nice drugstore. We had two nice delis and we had a barber shop."

Quintard Taylor:" Before World War II, I would say the population was very much like it is now."

Richlen: "Oh yes, there was for years an African population there. We had Japanese and we also had Italians."

Taylor: "I am Quintard Taylor. And I am the Scott and Dorothy Bullitt professor of American history at the University of Washington here in Seattle. In the World War II period there was this huge surge in the population as blacks came out to work for Boeing and they came out to work in the shipyards."

Jeannie Barnes: "My mother was from Arkansas and my dad was from Washington DC. And they came up here during the war. Mm-hmm. And my dad worked at Pier 91.

"My name is Jeannie Barnes. We grew up right there on 22nd and Union. Since i was born, on 22nd and Union. We were right there.

"I don't know we was such a fun loving little kids. We would go visit the people in the apartment buildings and knock on the door, and have 'em look out the window. And we would sing little songs to 'em thinking we were doing some vaudeville acts or something out there! We was no more than seven or eight years old. If we wanted to go over to the store we would go to Jack Richlen's."

Caller: "I was calling to see if anyone remembered the store with the meat market."
Caller: "I remember Richlen's"
Pearl: "Richlen's..."
Aaron Dixon: "Richlen's, yeah Richlen's"
Pearl: "...was a mainstay"
Dixon: "It was a little small grocery store."
Caller: "An old store on the corner of 22nd and Union."

Richlen: In 1944 I opened my first meat market on East Union. We had meat, we had fresh produce. And then I always had penny candy handed out. Haha. Just something to let em know that you like them to come into your store.

Rozetta Marshall: "Mmm, I went in there for candy. Haha. I went in there for candy. You know on Sunday, you know, you're given your offering money. And I think I mighta took part of mine and go get some candy, you know. And then the rest went in the offering thing. God knows, like I said, he knows everything."

Barnes: "Yeah, those were the days. Mm-hmm. Jack Richlen's, the hardware store. There was also a laundromat. The barbershop was just right there, and the church was across the street. So you had everything right there."

Richlen: "Yeah, going back to the black folks there. You're talking about my customers now. I would have to say around 1950, 55, the area changed. It was very eventful, to me anyway. Yes."

Caller: "Yes, I live on 21st and Union and my parents bought their home back in 1956 and I remember a time when of course this was a mostly African American community. And most non-African American people were afraid to come in this area, didn't want to buy homes here. And African American people had migrated here from the South, and different other places, this was the only area they could buy homes in."

Taylor: "You know people say, well how did black communities come to be? And often there's the assumption that African Americans choose to reside in a particular neighborhood. And to some extent African Americans will come and live near other African Americans. Sometimes there's the family connection and all the rest.

"But the bottom line in terms of segregation is that this is an order that's imposed from outside. Restrictive covenants were deeds that were enforced by law that said African Americans cannot live in this particular community. The first restrictive covenants emerged on Cap Hill around 1905. And eventually they swept across all of the city, except for a couple of places. And the restrictive covenants had the consequence of channeling African Americans into the area that we now call the Central District."

Dixon: "Black people and Chinese, Japanese and Filipino. You know, that was the only place that people lived."

Taylor: "85 percent of the black folks in 1960, 1965, in metropolitan Seattle lived in the Central District. That's where they lived. So that was the classic ghetto."

Dixon: "But even then the Central Area was still integrated."

Barnes: "Everybody all mixed and getting ALONG with each other."

Caller: "In those days 23rd and Union was a wonderful place."
Caller: "We all went down to 23rd and Union, my friends and I, for many, many years. That's where we grew up."
Caller: "And there used to be a drugstore there."
Caller: "Called Mayran's"
Pearl: "Mayran's"
Dixon: "Mayran's drugstore."
Caller: "I always went to Mayran's Drugs."
Pearl: "And it was a neighborhood drugstore, and also a meeting place."
Barnes: "And they had almost everything you could think of. All the nice jewelry and perfume."
Caller: "And I bought 3-cent stamps, nickel candy bars, and boxes of snuff for my grandmother."
Pearl: "You could go in and talk to Mr Mayran."
Caller: "I remember Ken-"
Barnes: "Yeah his name was Kenny."
Caller: "-at Mayran's drugs."
Marshall: "He knew everybody in the neighborhood. It wasn't a small neighborhood. I was just, the retailers knew the families.
Pearl: That's the key thing. And it was owned by blacks.

Dixon: You know 23rd and Union has always been the hub of the Central Area. And pretty much the hub for the African American community. And I hope it stays that way.

Aaron Dixon was the first captain of Seattle's Black Panther Party. We'll hear more from him tomorrow as our series The Corner continues. We'll learn how the explosive forces of civil rights struggles and crack cocaine changed the Central District. And we'll hear how black culture thrived during that tumultuous time, on 23rd and Union.

The Corner is created by Jenny Asarnow. Photography and research by Inye Wokoma.

The Corner comes to you from Public Radio Makers Quest 2.0 [two-point-oh], an initiative of AIR, the Association of Independents in Radio, Incorporated.

This project is made possible with funding from the Corporation for Public Broadcasting.

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This summer on KUOW we've broadcast many stories about one street corner.

23rd and Union is near the geographical center of Seattle. It's a commercial hub surrounded by old Craftsman homes and new townhouses.

For decades it's been a center for Seattle's Black community. Now, like other neighborhoods, it's in flux. And the community is grappling with culture clash as newcomers move in.

KUOW's Jenny Asarnow and a team of multimedia artists set out to create an experiment in collective storytelling. Their project is called The Corner.

In June, The Corner opened up a phone line and asked people to call in with their stories about 23rd and Union. The messages people have left collectively depict a spot that's feared, and loved.

Dorothy: "I just - just wanna talk about"
Kenyatto Amen: "23rd and-"
Aaron Dixon: "23rd and-"
Dorothy: "23rd and Union."
Pearl: "The union of Blacks being together."
Dorothy: "I surely do miss 23rd and Union."
Dixon: "Because it's it's always been the center-"
Omari Tahir-Garrett: "Center of the black community."
Asia Mitchell: "The Central Area is black history fo sho." [beep]

In part one of our series, we heard how African Americans moved to the Central District because of housing discrimination in most other Seattle neighborhoods.

Now, in part two, we hear how Civil Rights struggles and crack cocaine disrupted the neighborhood. Through it all, culture thrived.

In the mid 1960s, the Central District was a Black neighborhood. More than three quarters black. Ghetto. It was getting crowded. It had poor schools, crime, deteriorating housing. And why?

For one, the Central District was plagued by a practice called redlining.

Quintard Taylor is a history scholar at the University of Washington. He says it started in the 1930s when the federal government created lending guidelines for American cities. It drew maps.

Taylor: "And essentially what they did and this is where the term redlining comes, they color coded certain areas of cities."

The most risky areas were colored red.

Taylor: "And those are areas where banks are pretty well instructed - if they need instruction - not to lend. And most of those areas were African American areas. And the Central District was one of those places that was redlined."

Which means it was hard to get a business or property loan there.

Taylor: "Understand the importance of this. If you can't get money to buy a home in that area. If you can't get money to renovate the home that's in that area. Guess what's going to happen. It's going to become a slum."

Even so, the Central District was where it was at.

Taylor: "It was a community that was identifiably black. It was a community that had a vibrant nightlife, that was culturally set apart from the rest of Seattle."

And 23rd and Union was a center of that culture. In 1966 the corner thrived. There were two big grocery stores, a meat market, a drugstore, doctors and lawyers offices and a pool hall.

Aaron Dixon: "Ooh, I think about the first African American bookstore that used to be located up on 23rd and Union. It was called the Garvey bookstore."

Aaron Dixon was 15-years-old. He grew up in the Central District. And he was already into politics.

Dixon: And the bookstore provided us a place to find books that we couldn't find anywhere else. You know. Books about Marcus Garvey and Malcolm X. I just remember at that time reading a lot of books, you know. And they were all books on African American experience."

Civil rights protests. Desegregation. The Watts riots. That's what was going on in America at the time.

Dixon: "Race was always in our face constantly. Race was a big issue. And justice was a big issue. And you really couldn't escape it if you were African American."

Alicia Cross: "Yeah. I want to talk about the extreme racism that has been heaped upon the Black community in the Central Area."

Dixon: "Just a lot of pent up anger and frustration that had been building up for decades. Finally it erupts and it lets it all out. You know it all gets out."

Pearl: "Oooeee. Yeah."

Rozetta Marshall: "'68"

Dixon: "yeah, in 1968."

Aaron Dixon and other young activists in the Black Student Union held a sit in at Franklin High School. They demanded the school teach Black history and let students wear Afros. Aaron and 3 others were arrested and sentenced to six months in jail for unlawful assembly.

The Central District rioted on 23rd Avenue.

Dixon: "Police cars were overturned and people were throwing rocks. And police helicopters almost shot out of the sky. It was mayhem! It was mayhem on the corner of 23rd.

The riot lasted almost 3 days.

Dixon: "There was some type of relief in that."

In letting out that built up anger.

Dixon: "Uh, even though the damage that was done was usually to our community, you know the people gone to jail and burned out businesses."

The tension in the neighborhood was too much for some people. Plus, new laws made it easier for blacks to buy homes outside the Central District. So some people left.

Taylor: "As opposed to those who said, no. We were stuck here because of racial discrimination but it's now our home. And now we want to improve it."

Aaron Dixon helped form a local Black Panther Party and became its captain. The group opened a free medical clinic on 23rd and Union where they gave out groceries. They took up arms. And they patrolled the police. They would follow cop cars, carrying their rifles, and watch out for harassment.

Dixon: "We were always thinking about you know what our ultimate goal was. At the time was creating revolution. And uh, making the world a better place for everybody."

Business was good during that time. And Black entrepreneurs thrived on the corner. In 1970 Helen Coleman moved to Seattle and opened up a restaurant called Helen's Diner.

Coleman: "And it used to be a barbershop. And -'scuse me - we went in there, and tore up the linoleum, we painted and I made a kitchen out of it. And the health inspector passed it because it really was a nice cute little place. Got our business license and went right on into business. Just a blessing. It was just a blessing. That's what I was supposed to do."

Helen cooked soul food.

Coleman: "I call it soul food because I cook from my soul. But it's southern, like uh red beans and rice and oxtails and greens. Pig feet, pig tail. Chitlens. You name it."

Ms Helen's became a hub of community life.

Coleman: "At that time we needed a good soul food place to go and so it worked out just fine. People would come for lunch and they would have such a good time they wouldn't even go back to they jobs you know? They would stay there and we'd party. And by 8 or 9 o'clock the bands would start coming in to play."

Neighborhood bands used to play at Helen's and other clubs around the corner.

Pearl: [singing] "This is a dedication to our wonderful, our beautiful Black sistas yeah."

Dixon: "A lot of great musicians were coming out of Seattle. And it was just real funky R+B with a lot of organ, lot of bass."

Pearl: "So that was homegrown stuff. See they didn't have to go nowhere else to get it. Seattle was picking it up and putting it down."

Dorothy: "And we just loved 23rd and Union. It used to be SO much fun."

Coleman: "We were just having a swell time. It wasn't about - uh, the drugs wasn't there. If they were there, everybody was so quiet about it that you didn't know it."

Things changed in the late 1970s, when crack came to Seattle.

Raymond Wright, Jr: "I was around when the crack hit the scene. When the crack hit the scene, that was the worst thing that ever happened to the streets of Seattle."

Raymond Wright, Jr. is on the corner of 23rd and Union. He's 52 years old and grew up in the Central District.

Wright: "Still here, and never left. I hope to not ever leave."

Ray first smoked cocaine in 1978.

Wright: "I was smoking cocaine before there was crack."

He used off an on for 20 years.

Wright: "It was the whole basis of this whole community falling apart. Because see first of all if people weren't on drugs, maybe they had a chance to go to school. Maybe they had a chance to get educated. Maybe they had a chance to get a good job, a good paying job. And maybe they could just take over, the next generation. Keep the rent up. Keep the mortgage up. Keep the property value up. No."

Ray says he knows people who lost the family home because they were strung out on crack.

Wright: "I mean there is a lost generation. And you got killings and stabbings and shootings. And oh, it was a mess. Cause everybody was strung out."

In the 80s and early 90s, the corner was notorious.

Kalina: "And that's when I went over there. Um. It was mostly gangs. Drug sales. Prostitution. Just the underbelly of our society."

[music: "Posse on Broadway," Sir Mix-a-Lot]: "Wheeling 23rd we saw nothing but thugs. The girlies was too skinny from smokin' all them drugs. Cause the rock man got em and their butts just dropped. The freaks looked depressed because our Benz won't stop. At 23rd and Union the driver broke left. Kevin shouted Broadway! It's time to get def."

Daudi Abe: "When I think of 23rd and Union I think of the growth of hip hop in Seattle."

A new culture was born on the corner, even as people were dying.

Kenyatto Amen: "What was happening was that people was trying to say that we were criminal oriented - only. You see?"

Kenyatto Amen grew up near Union. He ran with the East Union st hustlers.

Amen: "It was just like you know like a neighborhood crew you know? So we just hung out rapped, danced, do our music and stuff. It was like you know a community group."

A community group law enforcement identifies as a gang.

But Kenyatto says the crew was trying to PROTECT the neighborhood from gang members who moved up from LA. And yeah, they were hustling.

Amen: "Why we hustling? Because we don't got jobs. That's how you eat. Hustle or die. Hustle don't necessarily mean selling dope though. Hustle means you have to come up w/ creative ways to make a living. Period."

Kenyatto sold tapes. That was his hustle. He's a rapper.

Amen: "So I wrote raps to explain what we was about."

[music: "East Union St Hustlers," Ice Cold Mode]: "It's the ghetto American Dream. Fast honeys and cash money. Naked Playboy bunnies. Sandy beaches and weather sunny. Under palm trees, cool breeze. The crime clients start the crack science. Black giants in an alliance with the street soldiers. Heat holders are slaying boulders as big as your shoulders. Black crack chemists with baking soda. Smell a strong odor. Rockwiler? Draculas that come to tackle ya..."

Kenyatto used to hang out at the gas station parking lot on 23rd and Union

Amen: "People used to pull up. It was so many of us. I mean groups of like twenty young Black men that ran together. So we would drive up. Park. Turn the system all the way up. Made a perimeter of cars and danced in the middle. The police would come. They'd be like, well, you guys are going to have to disperse! We're like we're not dispersing. Where we gonna go?"

[music]: "East Union St Hustlers. East Union Street Hustlers."

Amen: "It was just, this was our neighborhood. So this is where we come together. You see? And these are the types of things that were in the Central Area prior to the change that made it livable."

The change was coming. Soon the central district would NOT be a majority black neighborhood. Ray Wright remembers his dad saw it coming.

Wright: "He said, you know the white man's gonna realize he made a mistake when he moved to the suburbs. And I didn't want to put it like that but that's exactly how he told me. But he says right now they all live in Bellevue. But they're gonna come back."

And they did.

We'll learn WHY newcomers moved to the Central District - and hear how the community is grappling with the change - in part three of our series.

The Corner is created by Jenny Asarnow and narrated by Yirim Seck.

It comes to you from Public Radio Makers Quest 2.0, an initiative of AIR, the Association of Independents in Radio, Incorporated.

This project is made possible with funding from the Corporation for Public Broadcasting.

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This summer on KUOW we've broadcast many stories about one street corner. Twenty–third and Union is a commercial and cultural hub in Seattle's Central District. For decades, it's been a center for Seattle's African American community. But that's changing. Ray Wright is a lifelong resident: "My dad, he used to sit down and he told me about gentrification. He told me. He says, well, the white man wants this land back. He wants it back. This is the prime real estate in Seattle." Twenty–third and Union is a short trip from downtown, the University District and the parks on Lake Washington. Upwardly mobile folks – many of them white – have found deals here on old Craftsman homes and new townhouses. Housing prices have shot up. Now neighbors, old and new, are struggling to find their place in this changing community.

In June, "The Corner" opened up a phone line and asked people to call in and share their stories. In the final part of our series, community members talk about gentrification on 23rd and Union.

Aaron Dixon: "What I see is a – "

Will: "... post office."

Pearl: "There's a church."

Dixon: "There's a gas station across the street."

Carolyn Walden: "Strip mall, a liquor store, and uh ..."

Dixon: "Drug dealers."

Caller: "There's a lot of crack."

Pearl: "Crackheads."

Kristi Brown Wokoma: "No real stores that provide any kind of services."

Will: "Earl's Cuts and Styles."

Dixon: "Which is kind of a hangout for a lot of young people."

Dillon Rego: "And uh, there's been that big empty fenced out ..."

Callers: "Vacant lot."

Will: "Some weeds."

Caller: "And the empty Philly Steak."

Dorothy: "The guy that ran Philly Steaks, he got killed."

Brown Wokoma: "And it's sad."

Pearl: "It's sad to see how a vibrant community can become an eyesore."

Caller: "Fifteen years it's been looking like this."

Caller: "It's quite ugly."

Pearl: "When I think about 23rd and Union I think about it being no more."

Caller: "Because the neighborhood that I grew up loving and appreciating is just a fragment of my memory now."

Jack Richlen: "I can't look at the corner. I stay away from 23rd and Union, and when I go, I close my eyes. I don't look. I just look straight ahead."

Dorothy: "It's dead to me."

[beep]

Pearson Cummings: "There's a sense of – it's not an established community. It's a community where things can, you can make something happen."

Jeannie Barnes: "My name is Jeannie Barnes. We grew up right there on 22nd and Union. So I guess I lived there until I got married and then I left! And then after that the neighborhood started changing. Lot of us kids started moving out going on to different places, different states. You just have to let the past go. Just think about the future. Because I look over at the house I can still see my mother walking around and my dad sitting on the porch and the same kind of flowers. In fact, I went over into the old house. It's no more like it was when we were living in there. All that is completely gone! So you just have to leave stuff in the past! But you're enjoying our little neighborhood now, I hope."

Amber: "Hey! My name is Amber and I actually am just walking away from the corner of 23rd and Union having gotten off the bus. I moved to the Central District (CD) close to 23rd and Union in March. And I've been thrilled to get to know the neighborhood and just get to experience all the dynamic energy that is here."

[beep]

Quintard Taylor: "I am Quintard Taylor and I am the Scott and Dorothy Bullitt professor of American History at the University of Washington here in Seattle. What is gentrification? It is the transformation of a particular neighborhood, usually with the idea of enhancing the neighborhood's appearance and it's value. So there are economic motivations. And there are also cultural motivations. There are a lot of people who find living in the Central District exciting because the area is diverse."

Jean Tinnea: "My name is Jean Tinnea. I've lived on 20th Avenue for thirty years."

Taylor: "People think gentrification takes place in a relatively short period of time. At least in the Central District the gentrification process started clearly by 1978."

Tinnea: "1978. When I came here, the neighborhood was pretty run down and a lot of businesses had left. The house that we found was absolutely gorgeous. The woodwork hasn't been painted except in one room. You know, it has wood emolients in the windows and it just blew me away. I was the second white family here, on the block. And I think we had to prove we weren't carpetbaggers. We weren't coming in to buy a relatively cheap house in a neighborhood that was beginning to change. We expected it to change a lot faster than it has."

Wright: "There was a time when you didn't see any white people in the Central Area. And when they did, they were passing through. And let alone, never walking. Now they'll walk through, jog through. And as I saw the transformation coming about, I remember I used to always see a lot of police right up around here."

Omari Tahir–Garrett: "That's one of the problems with gentrification. People don't care who moves in the neighborhood. But then all of a sudden the police start harassing black folks. And it's like, oh you want to put all the black folks out of here? That ain't gonna work. That's not gonna work."

Taylor: "On the other hand now that there's a greater presence of whites, there's more suppression of crime and on and on and on. Is the Central District better off now than it was before? I can't answer that question."

Caller: "They come over here and they build their nice house, you know what I'm saying, these – these yuppies and guppies you dig? It skyrocketed the price of the homes on the block, you know what I'm saying? These cats been living – their mamas and grandfathers and grandaddies built this neighborhood, you dig? And – and now we can't even afford to live here? I'm not with that homie."

Caller: "I've had black friends move from the CD to Federal Way to Kent, to White Center ..."

Taylor: "Or places like ..."

Caller: "...to Renton."

Taylor: "Places that wouldn't even accept a black person, you know, fifty years ago."

Caller: "And they're more or less forced to sell their homes because of the high cost of maintenance and utilities and taxes always going up."

Taylor: "In other words, their opportunities are limited just as much as their grandparents' opportunities were limited in the sense that the grandparents were forced to live in the Central District."

Pearl: [singing] "I should be happy. But all I do is cry. Yeah. No more laughter. Yeah, y'all is doing a good job of taking the joy away and the laughter away from the black community."

Tahir–Garrett: "He's saying that his girl will beat the other girl up. And the other girl is saying, well listen, you come up on 24th and Spring and they'll fight. But they're making a lot of noise, because they're not making no business. They're not making no money."

Shellen: "They litter a lot and they sell drugs in our backyard and ..."

Elizabeth. "They've – they've – just periodically, they come along and tag in the middle of the night. Kind of marking their territory. Even though they don't own it. They think they do."

Rego: "And oh, and one time I saw someone laying on the ground who I think got stabbed out on the street fifty feet from my front door. I don't know. I feel like a witness to these things. But I don't feel threatened in any way, like that could happen to me."

Tahir–Garrett: "Because the conflict don't involve them. Because right now there's basically two communities coexisting. One's violent and – and real survival oriented. And the other is, oh I have a job, I work for Microsoft. And they're walking their dog and doing this and that. And they're existing – It's amazing! Just on the sidewalk. They just walk right past each other."

Brooke: "I'm Brooke and when I think of 23rd and Union, sadly, I think about how many people there are around here that are wasting their lives. That seem to be just hanging out on the corners and dealing drugs and doing things that don't make any difference in this world in a positive way. And it's just sad how sometimes the stereotypes that I always fought against and that I've always said were never true. Sometimes I feel like they are and I still have to fight them internally. So, God help this neighborhood and hopefully we can work together to make it a better place."

Dixon: "One thing about gentrification that is good, it doesn't completely wipe out the old. It doesn't completely change the community. The old and the new are coexisting together. And, when I ride through 23rd and Union on a warm day, you know, I'll see a lot of young black people hanging out. That is something you can feel good about. That there's still life there. There's still black people there."

Pearl: "Yes, this is Miss Pearl calling. I'm calling you because of the fact that, I'm just really thinkng about this whole thing and how to take a neighborhood and revitalize it. And you have to have equality. You have to have a sense of admiration and respect for people in general. We should be mature enough to settle our differences. And I think that it needs to happen. And it needs to happen in Seattle right away."

Kenyatto Amen: "But you know, you need safe spots, man. Where people can come and shake hands and be friends, you know. And then, transform. Dada!"

[beep]

"The Corner" is created by Jenny Asarnow. Photography and research by Inye Wokoma. Public art on 23rd and Union by Handsome Murals. Website by Anna Callahan. Software by Joseph Sheedy. Production assistance from Emily Eagle and Ann Kane. Edited by Jim Gates. Thanks to JC Mueller for donating use of its property on 23rd and Union. Thanks to Davis Sign Company and Urban Press for donations.

The "Corner" comes to you from Public Radio Makers Quest 2.0, an initiative of AIR, the Association of Independents in Radio, Incorporated. This project is made possible with funding from the Corporation for Public Broadcasting.